{"id":352,"date":"2025-11-05T16:46:29","date_gmt":"2025-11-05T15:46:29","guid":{"rendered":"http:\/\/sudariumchristi.stage.bergwerk-it.de\/facts-and-fiction\/on-the-trail-of-the-veil-in-the-orient\/"},"modified":"2025-12-19T13:43:12","modified_gmt":"2025-12-19T12:43:12","slug":"on-the-trail-of-the-veil-in-the-orient","status":"publish","type":"page","link":"https:\/\/www.sudariumchristi.com\/en\/facts-and-fiction\/on-the-trail-of-the-veil-in-the-orient\/","title":{"rendered":"On the trail of the veil in the Orient"},"content":{"rendered":"\t\t
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Since early Christian times<\/b>, oral and written traditions have reported on a cloth bearing the face of Jesus Christ. Veil of Kamulia, Mandylion, Acheiropoietos, Veronica, or Volto Santo\u2014a multitude of mysterious-sounding names, some of which were also applied to early icons, complicate the search for clues in documents, legends, and poetry. Furthermore, several cloths were found in the tomb after the Resurrection, as John explicitly mentions a tied (or folded\u2014Greek: “entylisso”) sudarium in his Easter Gospel, alongside plural linen cloths. <\/p>

\u201cAnd saw the linen clothes lying there, but did not enter. Then came Simon Peter following him, and went into the sepulcher. He saw the linen clothes lying there, and the napkin that was about Jesus\u2019 head, not lying with the linen clothes, but wrapped together in a place by itself.<\/b> (John 20:5-7)<\/p>

No images on these cloths were mentioned. Any mention of them would have greatly endangered the existence of the cloths in Jewish Jerusalem, because materials from graves were considered extremely \u201cimpure\u201d under the Jewish purity laws, and also because these images appeared to violate the Jewish prohibition of graven images. <\/p>

The following comments are restricted to the references throughout nearly two thousand years of history that could be related to the cloth of Manoppello. Some of these are assigned to the sudarium of Manoppello because it has a more manageable format (24 x 17.5 cm) than the shroud of Turin (437 x 111 cm). <\/p>

It is reasonable to assume that Mary initially took the shroud with her to Ephesus after the death and resurrection of Jesus.A Georgian text from the 6th century states that she received from the hands of God an image of the handsome face of her son left on a shroud, which she set up facing east for prayer.<\/p>

Various legends claim that King Abgar V of Edessa<\/b> (4 BC-7 AD and 13-50 AD) was given a cloth with a portrait of Christ. According to historical narratives, this cloth was in Edessa (now Turkey) for 400 years. During the Persian siege of the city it was removed from its walled hiding place in 544, saving Edessa from the Persian army. <\/p>

From this point onwards, the portrait was known throughout the Byzantine empire as the Mandylion<\/b> (\u201cmindil\u201d means \u201ccloth\u201d in Arabic) or the veil of Kamulia, after it was taken from that city in 574 to Constantinople.<\/p>

In the 6th century<\/b> it was reported from Memphis, Egypt that there was a linen cloth there on which Jesus had left an imprint of his face when wiping it. According to the report, it was almost impossible to look at the image because it was changing constantly. This characteristic recalls the cloth at Manoppello. At the end of the 19th century, numerous mummy images which are considered forerunners of the icons were discovered precisely in this region of Egypt. <\/p>

In 586 Theopylaktos Simokattes <\/b>described the cloth as divine art in which neither the hands of a weaver nor the paint of an artist were used.<\/p>

Around 594, Evagrius Scholasticus designated the image of Christ from Edessa in his historical narrative as \u201can image created by God, untouched by human hands\u201d and the veil of Kamulia was also known as the acheiropo\u00edetos (\u201cnot made by human hands\u201d).<\/p>

During the period from 574 to roughly 700 the acheiropo\u00edetos functioned as the imperial palladium in Constantinople and was used to motivate the troops in battle.<\/p>

In the late 7th\/early 8th century the veil was no longer safe in Constantinople and ended up in Rome, where it became known as the \u201cVeronica\u201d. The relic has been kept in the Vatican since 1204. <\/p>

Dante Alighieri<\/b> (1265-1321) mentioned the true image, the \u201cvera icona\u201d, in his \u201cDivine Comedy\u201d:<\/p>

Qual \u00e8 colui che forse di Croazia
viene a veder la Veronica nostra,
che per l’antica fame non sen sazia,
ma dice nel pensier, fin che si mostra:
‘Segnor mio Ies\u00f9 Cristo, Dio verace,
or fu s\u00ec fatta la sembianza vostra?<\/p>

As he who peradventure from Croatia,
Cometh to gaze at our Veronica,
Who through its ancient fame is never sated
But says in thought, the while it is displayed,
My Lord, Christ Jesus, God of very God,
Now was your semblance made like unto this?<\/p>

The following passage also appears to refer to the veil:<\/p>

Dentro da s\u00e9, del suo colore stesso,
mi parve pinta de la nostra effige,
per che \u00b4il mio viso in lei tutto era messo.<\/p>

Within itself, of its own very color
Seemed to me painted with our effigy,
Wherefore my sight was all absorbed therein.<\/p>

This citation puts the following lines from the Hymn of the Pearl (Acts of Thomas, 1st half of the 3rd century, near Edessa), in which the motif of the prodigal son is taken up, in a completely new light:<\/p>

\u201cIn fabric of silk, in letter of red, with shining appearance before me\u201d<\/p>

and<\/p>

\u201cAt once, as soon as I saw it,
The Glory looked like my own self.
I saw it in all of me,
And saw me all in it,
That we were twain in distinction
And yet again one in one likeness.\u201d<\/p>

Not knowing that the image on the cloth disappeared with backlighting, Martin Luther railed against the popes in 1545 because they presented only a \u201cklaret lin\u201d (a blank cloth) as the veil of Veronica to the pilgrims.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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King Abgar V, E. Ballerini, 1940<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Detail of a fresco by Benozzo Gozzoli (around 1450), Church of SS. Domenico e Sisto, Rome <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Russian icon, Church of Veronica, Via Dolorosa, Jerusalem<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Redeemer, Andrei Rublev, 1410s.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Illustration from a manuscript of the Divine Comedy, Venice 1390<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Since early Christian times, oral and written traditions have reported on a cloth bearing the face of Jesus Christ. Veil of Kamulia, Mandylion, Acheiropoietos, Veronica, or Volto Santo\u2014a multitude of mysterious-sounding names, some of which were also applied to early icons, complicate the search for clues in documents, legends, and poetry. Furthermore, several cloths were […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":344,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-352","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/pages\/352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/comments?post=352"}],"version-history":[{"count":6,"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/pages\/352\/revisions"}],"predecessor-version":[{"id":3675,"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/pages\/352\/revisions\/3675"}],"up":[{"embeddable":true,"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/pages\/344"}],"wp:attachment":[{"href":"https:\/\/www.sudariumchristi.com\/en\/wp-json\/wp\/v2\/media?parent=352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}