Not made by human hands – a comparison

The first photograph of the shroud of Turin in 1898 revealed that it can be compared with a photographic negative. The sweat-cloth at Manoppello, on the other hand, is more like a slide. However, they are not photographs. The shroud of Turin bears the image of a dead man, while the sweat-cloth depicts a living man marked with the signs of his martyrdom.

The Capuchin friar Domenico da Cese (1905 – 1978) recognized matching facial features on the veil of Veronica and the shroud of Turin. Using orientation points, the Trappist nun Blandina Paschalis Schlömer, a German pharmacist and icon painter, developed an overlay technique known as superimposition. Based on the congruity, she was able to prove that the images on both cloths were of the same person. She later applied this technique to the sudarium of Oviedo with the same result.

Comparison of the shroud of Turin and the veil of Veronica (Manoppello)
The shroud of Turin
The veil of Veronica
Superimposition
Sites of particular congruence
Comparison of the blood cloth of Oviedo and the veil of Veronica (Manoppello)
Cloth of Oviedo
The veil of Veronica
Superimposition
Sites of particular congruence